Showing posts with label poem. Show all posts
Showing posts with label poem. Show all posts

Thursday, August 22, 2002

Inspired by Super-Shakti Toothpaste (Really)

For this column I wanted to talk about the demise in court of the anti-postering law, but then a couple of things got in the way. First of all, I don't know anything about the demise in court of the anti-postering law. Except that it has something to do with the Washington State Constitution, a 70 or so page book that I can't begin to make heads or tails of. Second of all, a book that was lying around the office distracted me.

You may all recall that last issue in this space I alluded to the fact that Henry D. Thoreau was deceased, but that certain of his concerns live on. When reading the blurbs on the back cover of this distracting book I was shakti-ed, simply shakti-ed, to learn that the book was one of Henry's concerns. No, I wasn't, but I couldn't resist saying that. Please forgive me.

Really, the Bhagavad-Gita (or the "Gita" as we aficionados like to call it) is just like the Washington State Constitution to me. It's a 70 or so page book that I believe is very important but that I can't begin to make heads or tails of. Yet, I am strangely attracted to it, in the same way that I am attracted to ducks. I keep coming back to it year after year, only to be bewildered as ever.

Part of the attraction of the Bhagavad-Gita is that it is a big poem, after all. It is a piece of the Mahabharata, the ancient Indian epic that has been called the world's longest poem. The Mahabharata is so long that I haven't even had the endurance to see the movie, much less read the book, but I know it goes on. So it was inevitable that we at Adventures in Poetry would have to mention the Mahabharata eventually, if only as an example of another way to write a poem to get noticed (write one really really long.)

Part of the attraction is that as far as its content goes, considered as a poem, the Gita is unbelievably audacious. Who starts out to write a poem about a big battle, and then has the main guy of one side of the battle say he can't go through with it, it's wrong, and then spend the remaining vast majority of their huge poem not on details of battle blood and gore but on laying out the main guy's conversation with his chariot driver about the nature of life-the universe-and-everything? And his chariot driver happens to be the Supreme Godhead, incarnated as the blue guy in those cool Hindu paintings, so He has all the answers? Can you say "cosmic"? I thought you could.

[Try it yourselves, you budding poesists! Write a poem like the Gita. Start out by talking about somebody planning to do something, I don't know, like writing a column. Have her/him stop and say, "Naw, I don't want to do it." Then spend 70 freaking pages of poetry describing a conversation between him/her and some form of God, in which the God explains everything in the world, so that the upshot of the conversation is that at the end, God says, "So, just do it. But hey, it's up to you." Then take it to an open mike. Your audience will tell you just how audacious your poem is.]

Part of the attraction, also, is that the Gita is an ancient classic, therefore written for a world that doesn't exist anymore (it has mostly gotten worse.) This makes for a lot of the difficulty in reading it, but that just adds to the charm.

OK, sure, the surface message, which seems to be that if you belong to the warrior caste, then you ought to do war, strikes many of us today as outrageously conservative and narrow-minded. But then we think, as justifications for war go, at least this one doesn't reek of hypocrisy. And we can escape the conclusion that war is justified by rejecting the premise that there is, any more, in the nuclear age, a warrior caste.

No, certainly nobody today is born with a duty to wage war. So, as an argument to preserve the status quo and keep the conquerees conquered and the conquerors conquering, the Gita would appear to have aged.

But the Gita does speak eloquently of duty. Now, the question still is, what's that?

Thursday, November 15, 2001

Scare Me Hebdomadally

As you may recall, these are the things that I have said you need to write a poem: 1. Words. 2. A form to put your words in. 3. Something to say with the words you put in the form (this will affect how you arrange the words.)

Regarding the words themselves, there is some controversy over how many different kinds you need. Here are three viewpoints on this matter: 1. "You just need to know everyday common words. People don't have strong feelings for the others, so they tend to get in the way of whatever mood you are trying to create, so don't use them." 2. "What a crock. Poems are made of words -- uncommon words make uncommon poems, but they're still poems you dolt." 3. "So, you don't think I have strong feelings for 'martingales'? I feel so hurt and misunderstood. I'm going home to Mother, right now."

Another viewpoint says that you can sometimes discover poetry inside uncommon words -- in just the same way that, sometimes, you can discover ugly mollusks inside beautiful sea shells. With a pen or a sharpened pencil.

Lets look for mollusks inside the beautiful but uncommon word-shell "hebdomadal."

What are hebdomadals? Well, lots of things are... there's original episodes of X-Files and I Love Lucy, lunar quarters, approximately, blue collar pay days, days set aside for gods, the TV Guide, the Stranger, Monday Night Football, days of rest, TGIF, Saturday Night Live, my parents' trips to restaurants, days set aside for gods, soup kitchens at some churches, bowling days, poker nights, days set aside for gods.

OK, all it really means is "weekly". But it means it with so much more beans than "weekly" means it. If you say that you go to church weekly, it sounds like you don't care the other six days of the week. But if you say you go to church hebdomadalistically, it sounds like you're putting serious effort into it. .

Here's a poem with hebdomadals in it. I was inspired to write the following "prose poem" by the fact that hebdomadal nearly rhymes with "bomb it all", but not with much else, so don't look for any rhyme.

Charlie's Hebdomadals

by Copyright Dr. Wes Browning

Wednesday at noon used to be air raid drill time,

get off the street behind your screen door.

Charlie had to prepare for World War III

so we could all outlast the Russkies.

Then Charles went to college.

Noon Wednesdays brought the experimental film series.

An Andalusian dog met with severe abuse.

After that Charlie's Wednesday noon hebdomadals

rapidly became personal.

Once, a kangaroo escaped from the zoo

and jumped in Charlie's mocha.

Last Wednesday noon Charlie's shorts everted

while he was wearing them.

Next Wednesday Charlie will attempt to eat lobster.

He expects his food will assault him.

Let's surprise him with a tie.

I wonder how many people here in Seattle remember how frightened everyone was back in the Fifties by the threat of being bombed to death. There really were air raid drills every Wednesday noon. Though everybody knew about them and could brace themselves for them, they still sent chills up people's spines. Of course it was nothing so personal as having a zoo animal in your drink. Or like having an actual ten ton bomb dropped on your own house.

The US gets bombed once in half a century and all of the sudden we're the world's victims.

Friday, January 15, 1999

Count Thy Days

Lately I’ve been asking myself a lot of questions. Questions that go to the heart of what will have to happen before we humans and quasi-humans can really claim success in this grand experiment we call “life in the big city.”

Where does hypocrisy come from? Is intelligence an actual measurable quality, or is it, as the Jesuits might say, merely the absence of stupidity? And if you lack stupidity, can you be said to suffer a deficiency? Were Einstein, Feynman, and Mr. Wizard stupidity-impaired?

But above all, where does this authoritarian business come from? I don’t just mean politicians. I mean control freaks in general.

Even poetry isn’t free from these incredible control freaks! Only two days ago I was shocked to receive the following unsolicited “poem” by “email”:

Q. Oh what saith the Lord(ess)? What might a poem be?

Might it be prose yet sweeter, with rhyme and strict meter?

Might it be words upon paper, shaped like a tree?

Might it alliterate like maybe pickles 'n peter?

Might it assonate like bats and classy cravats?

Might she personify and curts-eye and bow and say "Hi?"

Oh Lord(ess)! Please hear our pleas for clarity!

We can't stand all of this mystery!

A. Oh, stop it. And your rhythm's off anyway, you twit.

This message has been brought to you by the Evangelical Church of Non-Rhyming Poets of America, Reformed.

Can you see what’s happening here? And it doesn’t end with rhyme!

It doesn’t end anywhere!

Being a scientific sort, when faced with a puzzle such as this I immediately think of experiment. In this case, dealing with a serious psychosocial problem, serious psychosocial methodology is called for. But you can’t get those kind of drugs anymore, so my next idea was that I should voluntarily become an authoritarian. Then I will be able to report to an amazed and astonished world my findings as to where my head has gotten to.

So. I have become a rabid proponent of the Julian Day Calendar. You may not have ever heard of the Julian Day Calendar, but I’m sure you’ve heard of the Julian Year Calendar -- the one that preceded the Gregorian Year Calendar which we’ve been using lately.

Well, the Julian Day Calendar is a Day Calendar, not a Year Calendar. You count days. Doesn’t that make more sense? Don’t answer that, I don’t care what you think, because I am being an authoritarian, and I have just decided for you that counting days makes more sense.

Want to know how you’ll figure out when years start and end? Why should you care? What, are you raising pigs? Don’t you know pig-farming is a waste of time, you should be in the slaughtering business, that’s where all the money is now? What, do I have to explain everything to you?! Look, how do you know now when it’s high tide? You look it up in a chart, that’s how. YOU LOOK IT UP. You don’t make the rest of the world calculate time based on the number of tides that have elapsed since the Red Sea parted, just so you don’t have to keep a tide chart handy!

So let’s see, what have we learned by being authoritarians? Well we have learned that we are over 18,000 days old (18K in the metric system). We have learned that when we rant on and on about Julian Days, nobody cares. In fact we have learned that we are not legislators or executives or police so therefore we can’t make anyone care. We have learned that authoritarians use the editorial “we” way too much.

But most importantly, we have learned that authoritarians think that they are right. Therefore they do not know they are being authoritarians. They think they are pointing out truths. So it doesn’t do any good to tell a control freak to stop it.

Next issue: We nag Paul Schell anyway! Just because we can!